SELECTED WORK
I have been blessed to work with an incredible group of people over the years, both on stage, backstage, in front of, and behind the camera.
For my full CV please visit my spotlight: https://www.spotlight.com/profile/2298-5648-1770
THEATRE
Macbeth: Sleep No More
Macbeth | Shadow Road Productions
2020 - 2026
Four person, three-person, & nineteen person productions.
Six years playing one of Shakespeare's most psychologically complex characters.
It has been one of the highlights of my career to star as Macbeth in Shadow Road Productions' Macbeth: Sleep No More, adapted by the incredible Emma King-Farlow. Exploring his transformation from celebrated warrior to paranoid tyrant.
The role combined heightened language, psychological transformation, and sustained physical combat.
"Amy Floyd (Macbeth) has a formidable, almost frightening stage presence, inhabiting Macbeth with gravitas and political cunning that makes Machiavelli look like a pussy cat... The stage tension between Floyd and Adler (Macduff) was electric as they circled each other like a pair of prize fighters preparing to go the distance. Verbally it was superb, words being spat with a vehement intensity that raised hairs on the back of the neck. Physically, it was breathtaking, sword fighting that felt real, blood that looked it. Peerless... This is a real sparkling gem of a show... I’ll be making tracks for a repeat run." - Tim Wilcox, Fringe Review
"Amy Floyd (Macbeth) does a masterful job of delineating the ill-fated Thane of Glamis’s arc from loyal vassal to murderous tyrant, and on into a side of Macbeth that is often missed: grieving husband in doubt of his own cause." - Rebecca Mahar, All Edinburgh Theatre
"Adler’s sword fighting scene with Amy Floyd’s Macbeth is one of the highlights of the whole show, with audience members visibly shrinking back and pulling up legs from the thrusting and whirling bodies as the contest progresses to its inevitable bloody climax. Absolutely riveting stuff!" - Greg Holstead, North West End
"Amy Floyd’s development of Macbeth’s character arc is incredible, we can see the stark contrast of his demeanor as the show progresses... There is a genuine connection and tenderness in the performance between Floyd and King-Farlow’s Lady Macbeth. It’s a gentleness that really humanizes the couple and makes us actively root for them to succeed... (Floyd shows) incredible acting prowess, lending a lot of heart and technical skill to moments and soliloquies that are difficult to execute well."- Katerina Partolina Schwartz, Pepper and Salt
"A dramatic performance that was so intimate that you felt part of the play as if you were in it." - Audience Member
"Macbeth's slow descent was so good, trying to fix his position and becoming more and more brutal. I don't think I've seen that so clearly before. We have bought tickets to see it again!" - Audience Member
For more press and audience reviews see here:
DR JEKYLL & MR HYDE: REMEMBER ME
Dr Jekyll & Mr Hyde | Shadow Road Productions
Coming soon
Four person
Everyone knows the monster. But who remembers the man?
October 2026 sees Amy take on both Dr Jekyll and Mr Hyde in a new production exploring the collision between respectability, desire, repression and violence.
A natural continuation of Amy's work with characters who wield power, wrestle with their own morality and undergo profound transformation.
A CHRISTMAS CAROL
Ebenezer Scrooge
2019 - Currently performing
Four person | Lead | Transformation | Comedy
Audience Reviews:
“Scrooge's transformation is heart-wrenching, then fabulously joyful!”
“I don't know how they manage to create such a gripping effect with only four people! The setting, use of costume, props, multiple characters created spellbinding attention.”
"I have seen A Christmas Carol so many times, but never been so moved before... I could feel and experience the emotion of every character and hear every word of Dickens.”
THE SEAGULL - Nina Zarechnaya "Amy Floyd's portrayal of Nina made the show.” Kathryn Pogson
TREASURE ISLAND - Long John Silver / Billy Bones / Ben Gunn / Mr Arrow / Hunter / Tom
PERSEPHONE & THE POMEGRANATE SEEDS — Hades / Cyneas / The Gardener
A TALE OF ROBIN HOOD — Little John / Sir Guy of Gisborne / Tom
IT'S A WONDERFUL LIFE — George Bailey
BRIDGERTON RAILWAY BALL — Lady Dashford
O2 Arora Ballroom — 1,500+ audience
FIGHTING FOR SCREEN
THE WITCHER
I am thrilled to have been a fighter in Netflix's The Witcher since season 2. (including the spin off Blood Origins). I wrapped on season 5 in late 2025. The cast and crew are incredible and I adore coming back to this production year after year. Dying so many different ways, in so many different wigs, and covered in increasing amounts of mud and blood.
STAR WARS: ANDOR
I am the eighth female Stormtrooper in the Star Wars franchise. Star Wars: Andor was an incredible experience, guns, explosions, sudden snow, and one of the most intricately built sets I've ever been on. Getting to play in all these different spaces during rehearsals I felt part of the Star Wars world!
LORD OF THE RINGS: THE RINGS OF POWER
The Lord of the Rings was the first big length book I read as a kid. My dad used to read it to me at night before I went to sleep. I used dream of being part of the Fellowship and defeating the orcs.
Getting to be an elf in this series was incredible. Standing on a ridge as a sea of orcs charged at us and then crossing blades with them is a feeling I will never forget!
OTHER FIGHTING CREDITS INCLUDE:
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PERFORMANCE CAPTURE
The Witcher
GRAND THEFT AUTO VI
Currently NDA - Coming soon
TRANSFORMERS: REACTIVATE
I had an incredible time performing the performance capture as Lifeline in Transformers: Reactivate and getting to work with this phenomenal cast and crew.
Heartbroken that this game was cancelled.
Other work currently under NDA, I have the huge pleasure of working with:
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And am UK Director of Captivate Action
WHY ME?
WHAT I BRING TO A ROLE
I specialise in intelligent, emotionally complex characters who wield power, face difficult choices and undergo transformation. My background in movement, combat and performance capture allows me to bring physical storytelling into the character rather than treating action as something separate from the acting.
COMMANDING PRESENCE
I'm comfortable playing characters who take up space — leaders, antagonists, warriors, authority figures and people who aren't afraid to challenge the room. I can create intensity without needing to push.
VULNERABILITY & WARMTH
Intensity is only interesting when there's something underneath it. I'm equally interested in tenderness, humour, grief and vulnerability - particularly the moments where a seemingly formidable character lets the audience see the person underneath.
ADAPTABILITY
I've worked across theatre, screen and performance capture, from heightened classical text and multi-roling to naturalistic screen work and physically demanding genre productions. I'm comfortable adapting quickly to different directors, processes and performance styles.
COLLABORATIVE
I've worked not only as an actor but as a fight director, movement specialist and producer, giving me a broad understanding of how a production comes together. I understand the pressures on the other side of the room - and I bring that awareness into my work as an actor.
CONTACT & REPRESENTATION
For Performance Capture work please contact my agent at Voice Fox:
Emily Dean - info@voicefox.co.uk
For acting work I am self represented, please contact me by filling in the form below.
"She brings intelligence, authenticity and emotional depth to every role... She consistently raises the standard of every production she's involved in."
— Emma King-Farlow, Shadow Road Productions