AMY FLOYD
WELCOMES YOU

ABOUT ME

I fell in love with acting at school, then someone handed me a sword in 2012 and I haven't looked back since. I'm a specialised fight performer and trained in motion capture and wire work and have been working professionally since 2014.

My film work includes Marvel's Secret Invasion, Netflix's The Witcher (Seasons 2-5), ITV's The Long Call, Apple TV's Slow Horses, Hijack, Disney's Culprits, Marvel's Secret Invasion, Star Wars: Andor, and Lord of the Rings: The Rings of Power.

Since 2019 I have been working with Fireside Folktales, the latest project of London theatre company Shadow Road Productions. I've been a merry man, hunted Robin Hood, ruled the underworld, hosted harvest festivals with the Hare & the Tortoise, been visited by the ghosts of Christmas Past, Present & Future, mutinied aboard the Hispaniola, and taken the throne of Scotland as the tormented Macbeth.

My Mocap work includes Grand Theft Auto VI, projects for Rockstar Games, Frontier Developments, and Splash Damage.

I greatly look forward to continuing to work with them and my agents; VoiceFox and Take 3.

I am the UK director of Captivate Action, a UK and Australian company specialising in motion and performance capture, and dramatic violence, and a qualified stage combat teacher with the Academy of Performance Combat, trained under the mentorship of Kev McCurdy.

Fight Directing credits include feature film One Night (2027 - Ryan Andrews), No Such Thing as Monsters (2018), and associate fight director on the RSCs 2026 Hamlet Tour.

MY SHOWREELS

PERIOD SHOWREEL 2020

WIREWORK SHOWREEL 2020

ACTING SHOWREEL 2018

FIGHT SHOWREEL 2024

ONE SHOT ACTION SHOWREEL 2024

SMALLSWORD FIGHT 2024

VOICE OVER

Gaming Demo

00:00 / 00:58

VO Commercial DemoArtist Name

00:00 / 00:37

VO Audiobook Demo

00:00 / 02:09

PRESS REVIEWS

"Amy Floyd has a formidable, almost frightening stage presence, inhabiting Macbeth with gravitas and political cunning that makes Machiavelli look like a pussy cat… The stage tension between Floyd and Adler was electric as they circled each other like a pair of prize fighters preparing to go the distance. Verbally it was superb, words being spat with a vehement intensity that raised hairs on the back of the neck. Physically, it was breathtaking, sword fighting that felt real, blood that looked it. Peerless."

Edinburgh Fringe - Tim Wilcox

"Amy Floyd’s development of Macbeth’s character arc is incredible, we can see the stark contrast of his demeanor as the show progresses. There is a genuine connection and tenderness in the performance between Floyd and King-Farlow’s Lady Macbeth. It’s a gentleness that really humanizes the couple and makes us actively root for them to succeed."

Pepper & Salt - Katerina Schwartz

"Amy Floyd as Macbeth does a masterful job of delineating the ill-fated Thane of Glamis’s arc from loyal vassal to murderous tyrant, and on into a side of Macbeth that is often missed: grieving husband in doubt of his own cause."

All Edinburgh Theatre - R. Mahar

TESTIMONIALS

"Amy was the stunt coordinator on my latest feature film, One Night. The film involved a number of complex kills that needed to be executed with sophistication and grounded violence, and Amy’s choreography was exceptional throughout. She worked incredibly well with both cast and crew, making the talent feel comfortable, confident, and empowered, while always maintaining safety and fostering open conversations around boundaries. Above all, Amy brought a professional attitude that was exciting, playful, and infectious. She is an absolute pleasure to have on set."

Ryan Andrews - Writer/Director